My apologies for such an awful title for this post. But if you’ve seen Amanda Knox (2016) on Netflix, which a lot of people probably have, it fits right in with all the ludicrous tabloid coverage of her trial. We finally got around to watching this last night. It’s a solid doc that follows the format of The Fog of War (2003), where the principals just tell their story, and there is no narration (just occasionally a question asked offscreen). Actually, it even seems like they might have used the same set for the interviews.
Anyways, as this news story unfolded, I casually followed itbut never really learned about the details until viewing this documentary. I just remembered something not adding up about the supposed story of her being a sex-crazed killer. This film, compared to the epic length Making a Murderer (2015) feels like True Crime Cliff Notes. Yet unlike almost every episode of Dateline, I didn’t have any lingering or unanswered questions, excluding the usual “How could anyone believe that?” or “How could they be so careless?” etc. I felt I understood basically what happened, when it happened, how it happened, etc. You know, the basics of reporting.
The basics of reporting seemed to escape Nick Pisa, the British journalist who comes across as much as a villain (to me) as does the lead prosecutor, Giulano Mignini, whose wild fantasies created this nightmare for Knox and her Italian boyfriend (of just 5 days!) Raffaele Sollecito. Anyone who has watched Making a Murderer or similar true crime/innocent man falsely convicted docs or dramas should expect a villainous lead prosecutor. But really, if you call yourself a “journalist,” and invoke the names of Woodward and Bernstein early on in this film, you should do more than just regurgitate whatever the prosecution feeds you, and then printing it as the unvarnished truth. Even a non-journalist should have had questions about why Knox would want to kill a roommate she’s lived with for only 2 weeks (I’ve had bad roommates before, but come on), or why a boyfriend of only 5 days would be so willing to murder for her. But Pisa and the media get a pass, because according to Pisa, if he didn’t print it, then someone else would get “the scoop.” But I still don’t understand how printing allegations made by prosecutors means you have to present it as truth. It’s called critical thinking, Pisa. Anyhow, he’s a tool. And for those who think this is a British tabloid problem, news in the US (and probably everywhere) works the same way. Prosecutors call up a reporter, feed them their version of what happened, and it goes to print. “Journalist” has a story without having to leave his desk.
As I was writing this, I’m reading a lot of anti-Knox threads on IMDB. Also, there are complaints about this being one-sided. Well, yeah, it’s called Amanda Knox after all. But also, if half of your movie is spent letting the lead prosecutor explain himself, is it one-sided? I just don’t understand how people think these days. I guess if you watched Making a Murderer (2015) and still thought he was guilty, don’t watch this. Sure, both Steve Avery and Amanda Knox behaved in an odd manner, but that isn’t evidence in and of itself. If you already know everything about this case, this probably won’t break new ground for you (You’ll probably feel like I did with The Beatles: Eight Days A Week). I wish it had explored more about Amanda Knox, both past and present, but I got the sense that despite being interviewed for the film, she values her privacy.
For what it does in just 90 minutes, I give it the following ratings:
Netflix: 4 stars (out of 5)
IMDB: 7 out of 10